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The throw of the dice deadly roads

"The power of randomness deadly roads" "Amelie Björck see Hold your breath by Zinnie Harris at the royal dramatic theatre" "Dystopian violence, fragilit

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The throw of the dice deadly roads
"The power of randomness deadly roads"

"Amelie Björck see Hold your breath by Zinnie Harris at the royal dramatic theatre"

"Dystopian violence, fragility and bone-dry humor. The scottish playwright Zinnie Harris to Keep the spirit from 2015 moving in the Lena Endres beautiful and poetic, rather than interpretive, directed seamlessly between these poles."

"In less than two hours made the main character dana's life completely on end. She starts off as a successful young researchers, are invited to an interview for a prestige project in Alexandria, and ends on a boat across the Mediterranean, deprived of everything. The stage floor is inclined in the final scene until the bags and people with uncompromising Titanic-the slowness tumble down into the water. Dana's Europe, this trygghetsposition in her yourself, go to the bottom: She is in the same situation as so many refugees today, although in a scrambled geography."

"nKvällen prior to the interview, she went home with a handsome man – big mistake. Nina Zanjanis Dana and Jonas Malmsjös Jarron similar in this choreographic scene two perfectly shaped människodockor in a passionate sexakt. It is beautiful. It is also ”too good to be true”. The next morning, to the man, who Malmsjö doing as well as the oily calm, pay for what she thought was the beginnings of love. He declares without making a show that he is a ”demon”."

"Dana refuses to be bought by his € 45. The demon continues to increasingly destructive vis foist on her the money. His companion, the ”librarian” (a absurdistiskt municipal Simon Norrthon) is trying to guide the Dana with the help of nonsensartade self-help books – and surreptitiously make payments of € 45. Dana refuses."

"nKopplingen to Faust is obvious. Of Goethe attracted Gretchen in ruin by the jewels she receives of Faust and the demon Mephistopheles. Dana teases, instead of up his demo by not allowing themselves to be bought. Zanjani playing her legible as a moral good. Like a medieval Everyone made her the face of trials, but gives up only to his sister Minnies sake (Ana Gil de Melo Nascimento). Intimately choreographed the tenderness between the sisters during the trip through Europe makes migrationsdramat ngripande."

"nVarför be punished, then, Dana? What is the moral? If you opt out of the dumbest interpretation: women should not have sex with unknown men, there remain two more thought-provoking. Dana's karriärism seems thoughtless. Her research focuses on how companies can vinstmaximera by pretending to be the customer's friends. Surely she is (despite the fact that regin is not attention to the little medskyldig to the erosion of society's heart?"

"another moral is reminiscent of the throw of the dice of power: there is no logic in who is forced to become a refugee. It is just this society's heart knows and acts upon, if only it is kept alive."

"Trans. Björn Sandmark"

"production Design: Peder Freiij"

"In roles: Giovanni Bucchieri, Hulda Lind Jóhannsdóttir, Douglas nJohansson, Jonas Malmsjö, Simon Norrthon, etc."

"Scene: the royal dramatic theatre, Målarsalen"

"running time: 1 hr 50 min"

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