"Ann Heberlein should remind themselves of the fall of 2017."
"Have you forgotten how MeToo began, Heberlein?"
"In your analysis around the royal dramatic theatre appears to be you which total blasé in the face of the feminist revolution, which drew worldwide starting in the autumn of 2017. A movement that has been and puttrat ago Tarana Burke started a grassroots movement for sexualbrottsoffer in the Bronx, New York in 2006."
"Tarana started to use the phrase ”Me Too”. It would then take another eleven years until a number of female actors raised their voices and began to put their abusers in the united states. Alyssa Milano in the lead, a discovered Was and so was the start firing. "
"Lulu Carter and Cissi Wallin took the baton in Sweden. Suddenly dominated tv and radio of the feminist struggle. It was written spaltmeter with lyrics about sexual abuse, rape, and power relations. I have taken part of more conversations regarding these substances the last two years than I made in my first twenty-eight."
"It plays a role in well-known women to open up and tell. It makes us think ”huh? she also?” and more to dare to say ”it has happened to me also”. And the women who do not dare or bother to say #MeToo can still take part of the collective gemenskapskänslan, feel less alone. It may sound like a small consolation for the woman who is experiencing violence or sexual violence in the same moment you are reading this. But it can also be life-changing."
"So many have been through this, many, many more than you think”, wrote Josefin Nilsson. And of course, she wore on the truth when she argued so. After the last weeks of reactions in the SVT documentary, says the family Nilsson to Aftonbladet that ”Joshah” has been rehabilitated. Her flame will never burn out for now thats the nation for Josephine and, therefore, for all battered women. All of the victims. And the women at the royal dramatic theatre's the reasoning in just the same way as Josefin Nilsson – they want to use their platform to shout as it echoes over the whole country."
"They are not stupid. Dramatenskådisar know all about how to draw emotions. We become angry, upset, reactive. Amanda Lind tramsar not around when she book into the meeting with the management – she shows where the cabinet should stand. Of course we will not content ourselves with the actor, the boyfriend who assaulted Josephine, the kick and to the minister of culture, take a meeting, but it is the beginning of the road to a better industry and it keeps the conversation about men's violence against women alive."
"I am so grateful for Josephine, Lulu, Cissi, Tarana and Julia. They speak for all women who can not tell. They raise their voice for all the women whose screams will be left in the pillow."
"This is not about celebrity status or elitism. It is about sexismens power structures permeate all industries, all walks of life, all ages. There we learned of the MeToo and this is exactly what the royal dramatic theatre, the debate is about."
"Shattered vertebrae is shattered vertebrae, whether the spine belongs to a celebrity or a vanlis, so it is. Actor, cashier, researchers or sjuksyrra. There is no title, no spell that protects a woman before the man's hand. And that is exactly what the entire debate is about. But without the celebs we had not had any debate from the beginning."
"So instead of tapping your skammande antifeministiska finger against skådespelarkvinnorna and cold judgment, self-absorbed – so you should remind you of the fall of 2017."
"We have 99 problems, famous women speak out about the abuse and tystnadskultur is not one of them."