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M. Jackson puts The Simpsons in the grave

the Producers behind the american TV series 'The Simpsons' draws a section with the deceased musician Michael Jackson back. It happens according to The Wall S

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M. Jackson puts The Simpsons in the grave

the Producers behind the american TV series 'The Simpsons' draws a section with the deceased musician Michael Jackson back. It happens according to The Wall Street Journal in the wake of allegations of paedophilia in the documentary 'Leaving Neverland'.

In the 'Stark Raving Dad' from the third season which was first shown in 1991, put Michael Jackson's voice for the character Leon Kompowsky, who bumps into familiefaderen Homer Simpsons in a psychiatric department. Leon Kompowsky is, incidentally, a white man who claims that he is Michael Jackson.

- It feels quite clear that the right decision to take, says the man behind the TV series, James L. Brooks, The Wall Street Journal.

He promises at the same time reveals, medproducenterne, Matt Groening and Al Jean, hills up on the decision.

the Documentary 'Leaving Neverland' from Channel 4 premiered 3. march on the u.s. version of HBO. In the film, which lasts three hours, is 36-year-old Wade Robson and 40-year-old James Safechuck forward with allegations of sexual abuse against the former popkonge. They claim both that they were sexually exploited by the musician, when they were between 7 years and 14 years.

Michael Jackson has been acquitted of similar accusations.

however, It is not only in the artist's home country, the UNITED states, Michael Jackson has come in the face of adversity. Thursday introduced several australian and new zealand radio stations a boycott of the artist. In the case of the English BBC Radio 2, who have not played his music since 23. February.

In Denmark, the DANISH radio has so far refused to follow suit.

- IN the DR, we do not work with black lists of artists, we do not play on the radio, said DR radiochef, Gustav Lützhøft, Tuesday, and added:

- instead, if we ongoing to the music and not least the music's context and considering whether there are circumstances in which, for example, we must avoid playing specific songs in a period of time.

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