maybe You should tone down the degree of surprise. It is unexpectedly to Per Gessle, have invented a låtsasband to find at the electronic what it was for, complete with biographies and animated appearance, but musically, he has been nearby in the past. Not least solohitten ”Silly really” in 2008, the most comfortably syntdansanta he has done. But also Roxette finalalbum 2016 was marked by digitalförsök with dance rhythms and röstförvrängning.
as just another step in the same direction, with Helena Josefsson as a more discrete Marie Fredriksson and Gessle himself completely excited about all the opportunities to change their vote. Way to write pop music is still anchored in the same old Gesslevärld, and playfulness leads, in principle, never up to any particular charge. But for the desire to experiment, he deserves all the praise.
Best track: "Couldn't believe my luck”
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