My colleague, DN:s ruling ”On the track”champion Johar Bendjelloul along with equal superallmänbildade Josefine Johansson), would on Friday, responding to a question about a tv-series, when all of a sudden Johar says the unnamable: ”I have not seen a tv series in the late ’department Store’ broadly”.
Kristian Luuks comment was immediate, there was a gasp through the country!
”Wow, what a boring night”. Depressed is the word said Bill.
the impact in the popular culture of beats in the day the tv production/tv-drama absolutely everything else – with hästlängder. Sure, we can see a writer make the smash hit, or an actor that gets a phenomenal breakthrough, or a director who picks the home of both a Palm from Cannes, and a Bear from Berlin. Banksy can a magic live moment to reformulate both the art and the scope of history, as if by magic.
There are events we can spend several days on.
Tv series, we are devoting all waking time, weeks, months, the real fanatics will let them take over their lives. The Tv drama penetrate may not be completely out of any other material, but it's completely taken over the public discourse in both popular culture and soon also the more classical culture, is no doubt. Literature-, dance-, music - and had devoted herself now not as a little to their favorite tv series. It is an infinite (urtråkigt) referring.
Alexander Skarsgård and Adam Pålsson, for example, has anxiously been raised to the skies for no games at all in ”The little trumslagarflickan”, respectively, abysmal games in the ”Conductor”.
from Galway just have a question and have an opinion on ”The handmaid's tale” and if a philosopher slovenian Slavoj He would not have a full social analysis of, for example, ”Game of thrones”, he ends up soon on everyone's common shitlist. The movement is international.
And the tv drama affect almost all other popular culture on an almost unrivalled and historically completely novel way. Language, fashion, politics, the history of the sport!!
I flee all calls, except one: the Showman, the acting – not so a little inconsistent, perhaps, given that I have always seen just the acting that is the weakest link in all forms of drama. Yes, apart from a handful of complete geniuses.
when I find an actor in the right place, I can ignore it in what: Is he/she in the right place?
DN:s sometimes so was a critic and writer, Thomas Anderberg, wrote the 2009 book ”we are All critics” and it took in practice, many ad notam. Very many without even reading it.
this autumn, for instance, I have never ever seen so many Swedish actors on quite the wrong place, in the to and with the poor tv-series – and I have never read skräpigare skådespelarkritik. If the actor can as well as have the exact opinion at any time. Like totally without knowledge and experience. ”Well, he's like the good”.
for example, has anxiously been raised to the skies for no games at all in ”The little trumslagarflickan”, respectively, abysmal games in the ”Conductor”. It was a long time ago I saw two actors on the complete wrong place (and I still think Alexander Skarsgard has much much more in and of itself). ”Conductor” is, moreover, consistently sloppy and badly directed by Mikael Håfström.
Some infinite underestimated in autumn: Ia Langhammer, who is wonderful in Kjell-Åke Andersson incredibly underrated, ”that which is hidden in the snow” (see the - she ought to get a own polisserie) and Christopher Wagelin in the same series (which is also good in the first four parts of ”the Conductor”).
Mikaela Knapp is wonderfully sharp and warped in the ”Sisters in 1968,” and when you finally got to see Jens Hultén stop the larva around like a broken-castad Seth Rydell (in the movies about Johan Falk) or Robert Castle (in the completely useless ”No without guilt”) got to see a really good actor!
this Year's motto: the Right actor in the right place.
Read more chronicles of Johan Croneman here . For example, this: ”the Year's most boring tv program is Donald Duck on christmas eve” .