I have naturally been thinking a lot about the secrets of the past week. I say natural because I assume that it is understood that I, like everyone else, have spent all of my free time to see the latest season of the French spionserien ”False identity” (SVT Play). I have wondered if it really is true that talk is silver, but silence is gold.
Every replica in the ”False identity” is the weight of so many layers of secrets to the viewer – the only one involved who is more than a need-to-know basis, have problems to fully decode them. Since the new season is the fourth, we have years of accumulated secrets of the French secret service behind us. If the main character Guillaume Debailly, which at this point has gone under countless fake names, if his agentkollegor at the DGSE, who are continuously playing off each other in the most intricate of the wiles of the, if spaningsarbetet in Syria, Tunisia, Iran, Algeria, Iraq, and now also in Russia.
Tv review: the ”False identity” are making a comeback with highest score
can not even pronounced but is stored on folded pieces of paper in the inner pockets of expensive european suits. Sharing of information is considered, as the foundation for the business begins to dwindle, with more and more suspicion. Why tell you this? For that I want to compromise you.
I can't keep a secret to myself for longer than a couple of minutes, maximum. When it comes to my own, perhaps it should be added, not to give my candid friends cardiac arrest – I think the average loyal but simply can't keep my stupid mouth when it has happened to me something.
I would probably not be a particularly good spy. But the advantage of immediately telling if a potential new romance, a potential new job, or a potential new idea is to at least get to be with about the experience once, in the imagination – by verbally taking things out in advance. Even if the job goes to someone else, or the romance fizzle out, it has spoken about the incident as if it had actually happened. For those of us with vivid imagination, it is a blessing when it feels like it is never going to happen in reality.
She keeps her mouth closed, because it is one of her many duties.
always keep your eyes out because everyone knows all, even the failures. The cool, enigmatic and mastered smiling indulgence when you come galloping up with even one thing you know that you should keep for itself.
Somewhere in the middle between statshemligheterna in the ”False identity” and my trifles are the characters in the Netflixaktuella ”Roma”, Alfonso Cuaróns black-and-white drama about a family and its maid in the seventies Mexico City. The maid, Cleo, is strikingly silent film through. The film has rightfully been praised for how crystal clear it depicts class and femininity in combination, but The New Yorker wants filmskribenten Richard Brody, a different protagonist. A person who speaks.
”When Cleo learns that she is pregnant, we see her sitting pensive at a window. She thinks on abortion? How did the abortion law in Mexico at the time? Carried out abortions, how the law than the saw?” he writes, and says that the ”Roma” fails to give his central character a, the political and the private, voice.
movie review: the Highest score for Alfonso Cuaróns ”Roma”
silence from both heredity and environment. She keeps her mouth closed, because it is one of her many duties, on which to hang laundry or making tea for the man in the house, but perhaps also because she simply is not the talkative type. The type who will be galloping.
In the ”Roma” show themselves to the family disclosed the secrets to be, in a sense, brings them together to the end. In the ”Fake identity” it is only when all – well, but a not insignificant number – the secrets revealed as a kind of reconciliation may be possible. And I? I will never teach me to remain silent.
Read more texts by Greta Thurfjell , among other things, how many Greta Sweden actually tolerate .