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Filmälskande generationsmöte about poetry's power

– I tend to become purple in the face and biting on a handkerchief when I feel that I have gotten to a real good scene, said veteran Werner Herzog, who has come to Cannes to show their japanskspråkiga drama ”Family romance, LLC”.

On Wednesday he participated in a panel discussion with hollywood star Julianne Moore and Xavier Dolan. The success franskkanandensaren, which is practically born in Cannes, competing for the palme d'or with his eighth feature film ”Matthias et Maxime”.

" I'm not inside something, I usually scream straight out, revealed Xavier Dolan.

”When I can't remember my lines, I know that the poorly written”

Julianne Moore says that her quality control is about the ability to memorize dialogue.

"When I can't remember my lines so I know they are poorly written," said the 58-year-old actress involved in the short film ”The staggering girl” directed by Luca Guadagnino (”Call me by your name”, ”Suspiria”).

accounted for an engaging and intergenerational scensamtal with practical advice about how to make good movie with the help of poetry. A lot is about learning to reduce and rely on words and their power.

" I am and will remain a 'celluloidman', explained Herzog. No matter what technique I use so I'm always as if it was expensive film in the camera. I am frugal and filming nothing in vain. When my photographers are talking about that we need the extra, for safety's sake, I say, that we're filmmakers, not skräpsamlare!

Herzog also believes that books are a moviemakers ' most important tool – ”read, Read, read, read, read!”, called the German fyrtiotalisten who claim that nobody becomes a good director who does not read a lot of books. Self he prepares himself time with the timeless chinese poetry from the tang dynasty before he writes the script.

Julianne Moore is said to be addicted to finding the rhythm and the celebrated David Hare's språkmedvetna the script for ”the Hours” from 2002. Xavier Dolan, for his part, told me that he used a poem by the French poet Guillaume Apollinaire, one of the crucial monologerna in the loaded mother-son drama ”Mommy” (2014).

From the Xavier Limerick ”Mommy” Photo: Shayne Laverdiere/Metafilms/Sode

– I am looking for a kind of musicality when I write the script as I usually find in poetry. Filmdialog need was not real all the time, we find ourselves not in reality, we are in a movie. There is nothing more powerful than to get into the beauty and poetry in a dialogue, especially not when you put it into the mouth of a character who might not be expected to have read Apollinaire, but who can pass on the charge in such kind of poems.

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