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Coronavirus, now there is a ghost even to the Scale
And the Salome of Richard Strauss? And the Madina of Fabio Vacchi? And the concert of the Pollini? And the Turkish of Rossini? The Milan of the Music you immalinconita in the vacuum that has been imposed by health needs and by the fear of armchairs may be at risk, and there is only to be hoped that declared healed with a minimum of courage, the city may return to its pleasures, including the Scale. The black locked doors, under the porch, facing the Palazzo Marino, where the mayor's Room, trying to restore a semblance of the "milanese" active and was happy to return, increase the sense of discomfort, of grief, of injustice.

By yesterday, the drama for the theatre is overstated: not only closed to the public, but also suppressed the evidence of the shows that should go in the scene and in the upcoming weeks. The Scale beheaded, the shows are not recoverable. Summary of the drama that could become a contemporary work of art. February 12, on stage “Il Trovatore”, among the choir, with his tattered cloak red renaissance, a low it turns out a fever and put you in the disease: he has pneumonia and not see more in the theater. 22 February, the first of the “Turco in Italia”, the choir and barbaric without the sick, but the same evening also the meeting is broken up in the Region that choose to wash their hands, and not only for disinfecting, but also to limit the harms that would not know how to deal with. Then just entertainment, so that those are dangerous, not the meter, which in fact is empty but continues to run. Sunday, February 23, there would be the Turkish bath in the afternoon, but now the theatre has to close and the handsome new superintendent Meyer personally in front of the entrances to convince the aspiring spectators to return home without protest.

Scale closed to the public, the Museum including, but not to the proofs of the upcoming shows. However, on February 26, you are notified that the bacterial pneumonia of the "chorister" became coronavirus: he supervised in the house, but is apparently already on the way to recovery, on the Scale don't panic, you go home and let the fever you will see. Then yesterday, the 27th of February, stop in the trials. Via all, of the orchestral singers, directors, conductors, set designers, everyone: employees working at home and those who enter in the office must first pass by the infirmary for a check-up. Everything perfectly organized without hysteria, it will be because the governor was not made to live committed to make happy his constituents that it is to be hoped, instead, that are desolate, appearing on social with mask, green, poor paley. All of Milan's beautiful, closed, Milan lost by a few days and already lost for the punishment undeserved, the return to a poverty daily forgotten, without meetings, without desire, no more fear perhaps, but for the deprivation of the normal. The Scale then, a time of mourning: the days included in the lost of a week that had to be intense.

No evidence of “Salome”, conducted by Chailly, who should make his debut Sunday, march 8 and music lovers will recall that the first to Scale, in 1928, he directed the same Richard Strauss, and returned in 1945 directed by Marinuzzi at the Opera house, being the Piermarini still in ruins. The director Michieletto seems sure of himself, does not break down, nor to the coronavirus or to the evidence deleted: placido expert of scandals, including the white walls puts a Salome she was an orphan with a father killed by Herod, and Jokanaan that becomes the equivalent of the ghost of the father of Hamlet and the awakening to revenge. Fabio Vacchi lashes out furiously against "the collective hysteria that has stopped the evidence of his Dance Theatre (woe to say ballet) the first expectation on the 22nd of march. The libretto of “Madina” was not written by Emmanelle de Villepin from his beautiful novel “The girl who didn't want to die”: it has removed all geographic references a tragedy in the true war, terrorism and rape.’: the same characters are played by singers, dancers, actors, and already expect a riot of love because for the first time, Roberto Bolle will be very bad and have a beard. Roberto Went lost in this week's two performances of his triumphal “Turk in Italy” and on Wednesday, he was in Naples at the meeting between the Macron and the Count, also present Chailly, who reassured him expecting for today the green light to the Scale, and maybe all the theaters and cinema, to restore to Milan that that the Region has prematurely taken away. He says he Went on: "The consequences of these decisions go beyond the markets and the economy. The civil life is made of meetings, participation: theatre companies such as that of Silvio Orlando or Carolina Rosi are at rest, our work, humiliated and erased, the culture destroyed, according to the decree, a city like Milan really slaughtered".'

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