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Book review: Felicia Mulinari set everything on the head in a strong diktdebut

Earlier on this page I have ondgjort me over the almost mocking the frequent occurrence of flowers and mothers in the Swedish samtidspoesi. Therefore I feel the

- 24 reads.

Book review: Felicia Mulinari set everything on the head in a strong diktdebut

Earlier on this page I have ondgjort me over the almost mocking the frequent occurrence of flowers and mothers in the Swedish samtidspoesi. Therefore I feel the particular result in when I open the Felicia Mulinaris debutdiktsamling, only to be met with two stylized flowers on smutstitelbladet and mothers already in the first stanza.

But the tedium – as well as my own anal reluctance signal words – will quickly be put to shame. ”It can't be wiped out” is not in the least anxious. On the contrary, succeed Mulinari excellent with its intentions: to portray the loneliness and community, childhood, and young people coming of age, from a horizon marked by racism and migrationserfarenheter.

book review: Håkan Sandell writes, at times, painful dekadensromantik

Athena Farrokhzads ”Vitsvit” a given predecessor. But ”It can't be wiped out” is freer in the syntax, as well as looser and more permeable. The language is cherished, but also have something off of which to inculcate how racism mutilating the victim, how the Swedish language is not fully successful to accommodate the people described: ”mothers dresses / queens before a kvartssamtal / hyschar games / look look / no nos vean sucios”.

It Mulinari want is not a single biographical life. Rather, she plays the very common experience of these mothers 'children, and thus either share their parents' exile, or accepted by the society you grow up in. Diktjaget is, therefore, not an ”I” without a ”we”. When the singular exists it is almost as an abjekt appendage: ”was in the self / had no where else to grow / than in me.”

The first of the book's three suites depicting his childhood, curved growing. The other two focus on the entrance in the plural, in friendship with others who also ”have a body / at the wrong time”. Dance, fyllor, conversations and the political struggle becomes lifebuoys in a Malmö where the attempted murder of Showan Shattak is one of several time - and perspektivmarkörer.

book review: the World wanted to go ahead – Gunvor Hofmo was unable to

just the collective. Here are dialogpartier – productive ambivalent ones, rather than navel-gazing – where two people are discussing how the story should be told. Solidarity, the socialist and anti-fascist fight, described as a self-evident consequence of the discovery that ”my loneliness / is a part of a system / machinery of intimacies / a undervattensström”.

the Power of this as provocative as comforting insight, set everything on the head. Felicia Mulinari convey this force, precisely, with great integrity, and with an anger that is neither condoning or cocksure. That is not love's opposite, but its armor:

”tell me about the organization

no

I do not believe in's essentialist collective

but it was

freed me.”

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