Violinist Daniel Lozakovich : On the way to morning prayer

His career began, the violinist Daniel Lozakovich early and the blossoms the age of 15 years, an exclusive contract with Deutsche Grammophon, signed. Since then, he is the youngest of the artists of the Yellow Label in the world of music on the go. On 1. April 2001 in Stockholm born, he focuses on the solo violin literature, that is to say particularly the concertos by Bach, Bruch, Mendelssohn and so on. This fits in with that Lozakovich plays at the Komische Opera, where he has 2018 with Tchaikovsky amazingly brilliant Berlin-debut given, now the only violin Concerto by Beethoven, the work without a rival among his own kind.

The modest appearance of the soloists, boyishly dressed, with a snow-white shirt, captivated the audience by bell pure violin playing, the sweet beauty of tone. The singing of the instrument lights necklaces up in the Trill. Amazing how absolutely effect the young Virtuoso is using his art skill, even in play around the themes of Beethoven. Swinging sounds, no extravagance. You'd love to do a glance into the future of the musician and his self-development. How much is the characterize his interpretations? Here enter, the audience cheers, which is reciprocated with a Bach encore prevails for the 17-Year-old Verdi.

Rugged counterpoint

On the console and Ainars Rubikis, the new General music Director of the Komische Oper since the beginning of the season 2018/19. The heterogeneous selection of works announces rarities that he wants to include in the concert area much. With the Great Fugue of Beethoven's Opus 133, the chief and his orchestra presents no diet. Hands-on, he defended the craggy counterpoint. The noticeable effort of the reproduction does not harm the musicians, because they are characterized by a composition that breaks with the resources of the Baroque time limits.

"Cendrillon" at the Komische Oper in Swan soul

Ottorino Respighi's "Vetrate di chiesa" (1926), that the Church Windows are colored. Beyond atonal developments of the time, the composition of the Church combines the tonal heritage with the influences of Strauss and of French impressionism. Rubikis makes in the sound images to Respighi's imagined glass Windows, the orchestra revel, if the plant is fighting under the Archangel Michael in the storm the dragon or the hl. Clare to early Matins. Pious Cantabile, part in unison, with lyrical Instrumentalsoli effective. And the audience in the Comic Opera is the orchestra very fond of.