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Scenrecension: When komikermanéren thrown becomes the tensions visible

How can a newly purchased painting, albeit ridiculously expensive, threaten an old vänskapskonstellation? Just wait. French Yasmina Rezas twenty-five-year-old A

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Scenrecension: When komikermanéren thrown becomes the tensions visible

How can a newly purchased painting, albeit ridiculously expensive, threaten an old vänskapskonstellation? Just wait. French Yasmina Rezas twenty-five-year-old ART, which have been on the Sweden in the west, the lands now, for the second time in 2010, the century in Stockholm.

can and has been interpreted different for each of the emphasis really lies; An investigation of the art which stuck, and the male, the class symbol? What tells the viewer's eyes about who he really is? How can this overturn old perceptions of each other? In Edward af sillén's set of signals most of the time, in advance, that it is the comedic qualities that the focused on the.

When Mark (Johan Rheborg) , home to old friend Sebastian (Per Andersson) it turns out that he has bought a painting that proudly and with white tyghandskar is carried forward and shown up. As well as, in passing, mentioned a Stockholm gallery owner. The board is white with some barely noticeable reliefskiftningar. Possibly there is also something gray.

Sebastian paid 650.000. A monochrome masterpiece of modernism, he says kissnödigt proud. You have paid 650.000 for the white crap, like the conservative and embittered Markus, who almost immediately gets upset. And so, the third friend, Ivan (molly ringwald) who is preoccupied of his complicated wedding and do not want to discuss anything at all, just sink into the old polartrallen. Definitely not take a position, it makes he never.

in the document överanvänds unfortunately the age-old grip in the monologues describing the character's inner thoughts. It hacks up too much. Per Andersson Sebastian is välskulpterad but is almost sommarfarsartad. Henrik Schyfferts Ivan is, in addition to the uncertainty, very much molly ringwald. Johan Rheborgs strict Markus is so well that it almost becomes like a separate small piece.

It is when kammarspelet well get started as we really get sight of what the three are to each other. When komikermanéren thrown and the characters are talking out of skäggen. Markus is terribly pissed off at Sebastian who, like a peacock struttar around his nypåtagna kulturelitroll. Ivan becomes increasingly uncertain, can not choose the side. ”You are a coward, a plankton!”, yells Markus. Sebastian becomes increasingly angry. Ivan just want to cry. When your friends, after all these years honestly question each other so raging the friendship together before our eyes.

the balance of power, between Mark and Sebastian, as destroyed. The former was smakdomaren, mentor, but has stagnated. The latter has been developed, has found its own independence. The third, Ivan, has lost its clownroll and trying to grope their way in their new familjekonstellation. And this is precisely where the focal point is: Friends are like a family. Where is the given roles, clear power, not love. Throws you about the characters so no longer exist family. It shows they are good, when they play together.

Read more texts by Niklas Wahllöf here .

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