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Scenrecension: Lisa Nilsson comes out as the versatile artist she is

No, life is not that direct, as Lisa Nilsson eventually notes. But it goes to stage their own history, in phase with the current bekännelsekultur and social media-facades. Perhaps that is why more and more artists want to be themselves for a moment with an emphasis on the biographical narrative in the företagsfestlig luxury packaging. From Peter Jöbacks ”With a heart as the effort” to Sanna Nielsen's ”My True self”, to name only the latest in a long line.

the so-called ”längtansföreställning” on the Rival stands out in this context. Självupptagenheten is in the nature of things, but in front of an audience in plyschfåtöljer becomes ”the Woman that I am” a kind of floor show for the people who actually care about the content.

Already have her mellansnack many times felt more memorable than the music beyond just the big hits. And now Nilsson has his first own show manages to reinvent itself as the versatile artist she actually is. In Anna Ståhls directing step she emerged as colorful scenpersonlighet with a stand up-komikers timing and a soulsångares vocal abilities, no more than natural in the role as himself.

identity crises and doubts in professional and private is not unique for the showbiz

of the Aretha Franklin classic ”(You make me feel like) a natural woman” and then elaborate on texttemat with a reflection on how the desire to be a man to please and often made her feel like anything other than natural woman. With red roses in the fund and a fusionjazzigt femmannaband in the back she makes up with her nittiotalsimage, failed relationships, and a sexist music business as a whole.

the New material, and the monologues are interspersed with both ”Heaven around the corner” Blacknuss-the passage ”Rising to the top” and ”Completely lyrical”interpretation of Kristina Calm-the poem ”When I was married to Herrman”. And a steppnummer with David Dalmo – song - and-dance partner in the musical ”Chicago” – where she jokingly have time to hunsa both him and the male musicians.

the Replicas are often both sharp and funny. Occasionally traggliga – in particular, about his childhood, seventy – but priceless humorous in a reflection of the large fish in the dejtningssajten Tinder. Identity crises and doubts in professional and private is not unique to showbiz and even if the case is more glamorous is ”the Woman that is I” basically about the fear of not enough.

musikalgenrens best moments, it becomes a story about artistlivets trials and tribulations and the wounded divan which at the easygoing underhållningsnivå still manages to say something more general. If in the small.

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