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Limit dominates the face of the Radio, but a lot was also right so wrong

"”Limit” dominates the face of the Radio, but a lot was also right, so wrong" "”Limit” was, as expected, and perfectly fair, most Oscar nominations, nine pi

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Limit dominates the face of the Radio, but a lot was also right so wrong
"”Limit” dominates the face of the Radio, but a lot was also right, so wrong"

"”Limit” was, as expected, and perfectly fair, most Oscar nominations, nine pieces."

"But nomineringsjuryn was stingy against popular movies like ”Ted – for the sake of love” and ”Tårtgeneralen”. And trod, as usual, wrong in dokumentärfilmsklassen."

"That Ali Abbasis ”Limit” Cannes-winners, Sweden's Oscarsbidrag, acclaimed and recognized around the whole world – would dominate was the right expected. Nominated in almost all classes, had been received for the best photo also. Not much to say about the many nominations for ”Goliath” and ”Young Astrid” either."

"It's easier to complain a bit on what that was, but, even if there always are a few obvious names or movies that should be removed."

"Ted Gardestad-biography and ”Tårtgeneralen” had plenty been able to get more nominations. Both Hannes Holm and Filip & Fredrik in regiklassen, where I don't understand how the duo of Måns Månssonu002FAxel Petersén could be nominated. The only thing that is good with the ”Top of nothing” is Léonore Ekstrand. Adam Pålsson was worthy of a nomination for best actress and Peter Viitanen and Helena Bergström for best supporting roles."

"As usual, it seems to have become a tradition, nobbade it an obvious choice in dokumentärfilmsklassen. Jane Magnusson's ”Bergman – a year, a life” won the just before the new year of the year award in the best european documentary film. In Sweden it was not even nominated."

"the Second that was pinched on nominations: Actors Simon J Berger and Karin Franz Körlof in the ”Trädgårdsgatan”. Eva Röse, Henrik Norlén and Peter Andersson (”Before winter comes”) and Fanni Metelius (”Heart”) had not had to be ashamed of nominations. Felix Martinez and Joel Hilme for the sovereign swing and jazz music in the ”Dance first”."

"the Happiest of nomineringsgalan was the young male collective Crazy Pictures, which probably had never expected that their effektfyllda action movie ”Den blomstertid nu kommer” would compete for the title of best film."

"the Most exciting on the gala in a few weeks: How will Mikael Persbrandt, very fair, nominated for ”Tårtgeneralen”, react if he loses to the actors from the ”Goliath” and ”Amateurs” – all of which are just happy amateurs?"

"Best director: Ali Abbasi ("

"Best actress in a leading role: Zahraa Aldoujaili ("

"Best actor in a leading role: Fredrik Dahl ("

"Best actress in a supporting role: Sissela Benn ("

"Best supporting actor: Jens Albinus ("

"Best screenplay: Jonas Hassen Khemiri and Gabriela Pichler ("

"the Best photo: Ellinor Hallin ("

"Best clip: Alexandra Strauss and Dominika Daubenbüchel ("

"Best costume design: Denise Östholm ("

"the Best ljudu002Fljuddesign: Crazy Pictures ("

"the Best masku002Fsmink: Morna Ferguson and Orla Carroll ("

"Best original score: Johan Tested ("

"Best production design: Emma Sofia Wahlberg ("

"Best visual effects: Crazy Pictures ("

"Best documentary:"

"Best foreign film:'

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