as soon As a popular samtidsverk kept on falling into disuse, it has dammats and cranked again, this time in the scenformat. I have already lost count of how many contemporary boksuccéer I've seen the dance even a lap on the Swedish theaters.
the Same can be said for the last decade the frequent teaterversioner of bioklassiker. A trend that last year literally hit the knot on itself before hundrårsjubilaren Ingmar Bergman, whose most famous films was awarded at least one staging was on the country's tiljor.
the rolls was already dangerously close to the somnambula, it is nothing against a part of the iscensättningarna. Where is really the border between the yet another staging of ”Persona” and a konstnärsklimat starting to remind of ”The walking dead”?
Scenvåren 2019 is no exception – it pours also healthy from a source of well-known models, albeit with some bias to the höglitterära. The next few months invite Franz Kafka both up to dance at the Royal Opera house (the ballet ”the Process” 17/5) and allows Gregor Samsa waking up as an insect at Riksteatern in Hallunda (”the Transformation” 26/1).
Marcel Prousts massive romanverk ”In search of the time that's fled” down to the scenmonolog (21/3). In Gothenburg, the action is booming author Tone Schunnesson, ”Jane Eyre” (Folkteatern 2/3) and in the Malmö plotting the decadent French nobility in ”Dangerous connections” (Hipp, 1/2).
What is it that we see? A dead poets theatre company? Well, if you want to be positive, you can always focus on the sustainability aspect. Would rather reuse than buy new. You are well, climate smart, little friend?