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Film from Macedonia in the Berlinale-competition : put an end to the humiliation

Finally! It is high time it was stunner for a movie of this. Then a loud strange dissolved faces full of quiet joy. And on a rainy Sunday Morning.

There are a few places where the world is really still in order. In case of doubt, you are only a few inches wide as the ceiling space between bed and bed. The Silhouette of a face. And if a is then pushed Breakfast in front of this gap, is to say against the establishment of the day, for the time being. Or is it?

For the first bad news that comes with the Breakfast: "You've got a job interview!", the mother Petrunya is a graduate of the discipline of history with the best note says, unemployed. The notification of the hatches in the Morning, that would close the entity most like to be right, but it is, and this is an important event: This human child, has a, well, powerful volume. And a face of a disarming openness, and this is the face, wide, the brutes would say, but yet from the wonderful, simple beauty. If the humanity would have to pick and choose faces in which you would like to know: you should not forget the Zorica Nusheva. It is a mirror, a Seismograph is like a Film within a Film for everything that follows.

The flow of foams in front of bodies

The interview the mother had arranged for an aunt. Social security and pension! And beautiful to wear! And to say that she is 24, not 32. In any case, 32! Petrunya look at your mother, is considered to be hopeless cases, but she is, of course, she goes.

On the way back from the interview, it was a cancellation call, device you on the river in a group of naked male torso. It is Epiphany, the procession is waiting to the end, the young men, the priest throws the cross into the water, and will wear it as a winner on the surface. The Macedonian Director Teona Strugar Mitevska is stretched and compressed these scenes in your movie "God exists, and her Name is Petrunya" alike. Again and again we see Petrunyas black Velcro coat over floral dress in the crowd, then the river in front of bodies of foamed, until a Hand stretched out to the cross in the height. Petrunya!

A Grotesque and bitter Ernst

The men tear it raw from the hands of the protesting priests, somehow you can take it again and flees. With the cross.

It is a Grotesque, and yet very serious. It is Bagatelle to a Maximum. Petrunya was not authorized to dive, because she is a woman. One suspects everything that comes, and then it comes exactly, just very different. Along with the police station, and TV coverage. And the Incredible happens: Teona Strugar Mitevska holds this high voltage balance. The element of Surprise is never Banal to Others, but in the degrees of intensity and truthfulness. And in the comic, of course.

Berlinale 2019 - competitive film view more images of 1 of 25Foto: By Amesen / Berlinale29.01.2019 09:18The Chinese Director Wang Quan'an returns with "Öndög" in the Mongolian Steppe, where his bear-winner...Back More

no, this is not a gender in cinema, this is not a MeToo-film-making, no world view, surrogates were behind the camera. Although men may ask: Are we really so ugly? This Film answers: Yes, at least there, where the man occurs as a mob, as a rule crowd in a traditional society. According to ozone, "Grâce à Dieu" is not Religion a second Time as the progress of the ideology in question. Although you should pay careful attention to the priest, to him and Petrunya the equally abysmal as deeply moving, not to betrayal the end of the laconic conclusion of the scene. All we can hope for is people stepping out from the shadow of institutions and ideologies, in their own light. The way of women is because sometimes, not less. Petrunyas mother see, to know what slave are souls. Helpful but not good. It is sacred, she says, in the light of the cross in the Hand of your daughter, and: You're a Monster!

Maybe Petrunya was just jumped into the cold water, to check whether it still exists. If it were for Cinema, photo frames, Petrunyas interview would have earned. What is a high-precision Exercise of humiliation. It was stunning watching the beautiful clear eyes were lowered eventually, your power will be lost. But the question of her age Petrunya was completely awake: "I'm thirty-four ... 32."

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69. Berlinale Festival of women

11.2., 9.30 PM and 18.15 PM (Friedrichstadt-Palast), 12.2., 15.30 (b-ware!), 17.2., 18: 30 (HdBF)

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