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Children's Opera The Gruffalo : My best friend, the Monster

Hardly the big and small listeners have taken in the Werner-Otto-Saal of space, since they are already out there. So entertaining anyway Iván Fischer's Opera f

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Children's Opera The Gruffalo : My best friend, the Monster

Hardly the big and small listeners have taken in the Werner-Otto-Saal of space, since they are already out there. So entertaining anyway Iván Fischer's Opera for children "The Gruffalo", a work commissioned by the concert house in order to bring the young audience to "get the classics".

Fischer has chosen one of the most popular picture books: "The Gruffalo", a simple story with a deeper meaning, a hymn to Cunning and imagination. Through many versions and revisions of them is already gone, as a Film, puppets and other Theater, even by school classes. However, Fischer has a unique feature: the classical music. And not at the same time shows that there is "the" classic, as little, perhaps, like the Gruffalo, this fearsome animal with long teeth, Claws, and spines on the back. The little mouse invents him as her "best friend" to the other animals of the forest to deter, because they consider only as a welcome Breakfast or dinner. Fischer leaves you with a divine recklessness through the forest, marching, stage and costume designer Sabine Lindner with love, full of joy of color sets the scene, true to the picture-book-template by the artist, Axel Scheffler. A fisherman set to music every word of the original text by Julia Donaldson. This does not prevent him, Bettina Maria Bauer was tricky to write the most coloratura in the "common throat", according to Mozartschem model.

with the young singer, accompanied by Piccolo, flute, and bassoon, with flying colors, without forgetting the naive-timid attitude, the Director Birgit corner of Weber demanded of her. Not less picturesque: Jeongmin Nam as a Fox with a fine Tenor in a splendid red dress coat, from harp and clarinet to be characterized, or Nico Brada as an owl with a dignified baritone and oversized glasses, the odd Sound of the Flexatone, and cello.

full Color rendition of the musical diversity of style

Alessia Schumacher (soprano) and Luke Eder (baritone), lead by the plot and created at the same time, with brush and Palette the visual level. Because everything here, figment is a creative imagination. So, too, the slippery serpent, who is the composer, vibraphone, Oboe, and basin maps. It's hard to say whether or not Yuri Mizobuchis chromatic led mezzo-soprano is supple or her dancing movements, you can never go over your oversized Slow stumble.

Pretty, a virtuoso managed musical diversity of style, the offers a by Róbert Farkas led a small Ensemble of color. The mouse fantasizes sounds of the Gruffalo with Tango. That may be the summit of the wickedness in the healing world of Classical music – the real horrible laughter he makes with a Heavy Metal rhythms resound. Long-haired, pierced and motorcycle gap, Christoph Brunner (Bass) is a blend of a rock musician, a not unattractive Image of Evil. Prior to that, you have to learn to take good care of. What is stereotype-free, for Small Four certainly experience and discussion enough.

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