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Carolin Widmann in the Boulez hall : virtuoso lining

Seven music stands placed in a semi-circle to be of a single interpreter with notes in a classic paper, printing busy. Carolin Widmann, Jörg Widmann. She is a violinist of shining purity of the Intonation, which interprets the number of the pages along, what has dedicated her composer brother of the famous Mrs Isabelle Faust and her self: "Etudes for solo violin", no. II and III of The etudes and character of the music, accompanies you in the quiet start of the vocal, wanders over aggressive dazzling heights "furious agitation, as fast as possible" and is an expression of the noise as a virtuoso summit. It is in the nature of the compositions, such as your lecture, that this kind of soloistic flight of the bumblebee thrilled the audience at the Pierre Boulez hall, bright and fully deserved the applause roars.

The Pianist, with whom she shares the evening, presented also alone with pieces for his Instrument. Alexander Lonquich is the Ländler D 790 of Franz Schubert, whose harmonies he aushorcht significantly, as well as a small adaptation of the genre by Wolfgang Rihm. It is a rather secretive dance, the dares, the historicist Form of a "Ländler for piano" by 1979, almost an anachronism, from the delicate romance with a smile.

Entertaining and sophisticated

Lonquich, born in 1960 in Trier, a few weeks ago, a plate of criticism for its publication of the last Schubert received the prize of the German music-sonatas, fetishist, there's no Sound, but a musician with a private head. The Sonata for violin and piano by Leos Janácek, which realize both the artist as an entrance piece, it has a rousing quality. If you remove the short motifs that come from the tone of the Opera composers to each other, the hooks Shape the plastic in the Recall. Characteristic of the crude attractiveness of the Scherzo, which owes much to the Impetus of the pianist.

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The program is as entertaining as it is demanding, because it is Contemporary in the middle of the discussion, to get to and from folk-chamber game great classics. In Beethoven's Opus 30 no 2, the mild shining violin playing Widmann's features. What is today called the short violin sonatas, is referred to in the first edition as "Trois Sonates pour le Pianoforte avec l'accompagnement d'un Violon". Maybe the violinist wants to serve as a partner of the pianist of this title. It plays back very internalized, with a genteel attitude. But the Russian Tsar, Alexander I., and dedicated to work should you take something heroic. The impression remains that the two excellent instrumentalists making music together, without having to shape a real Team.

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