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30 years Young Symphony Berlin : With passion and precision

For 30 years, music students and other young classical music together enthusiastic now, to play as a Young Symphony Berlin at the Philharmonic concerts. In 1989, the French conductor Marc Piollet founded the orchestra, then as a music school ensemble in Reinickendorf. Since then, much has happened, prices have been won, and the tour is played, the Young Symphony is one of the best young orchestras in the city.

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On Sunday they will celebrate their founding anniversary with an ambitious program, the traditional focus of the orchestra to the music of the 19th century. and 20. Century remains true. The evening will begin with Igor Stravinsky's "Le Sacre du Printemps", a musically demanding pieces for the Young Symphony with a lot of passion. Particularly, the polyrhythmic structures meet the musicians is fantastic, the dynamic contrasts between the idyllic and wild Places are well worked out.

Lyrical, expressive brass

A great Job the brass with lyrical, even beautiful bratzigen passages especially. Small inaccuracies do not fall in view of the enthusiasm with which the orchestra "the rite of spring" is concerned, to the weight. This joy of music is likely to be due to the fine-limbed, relaxed way, with the conductor Marc his Ensemble Piollet leads through the apparent Chaos of the music of Stravinsky.

Marc Piollet, conductor and founder of the young Symphony Berlin photo: Felix Broede

no less demanding it is after the break with Anton Bruckner's ninth, the last and unfinished Symphony by the Austrian composer. The young Symphony, the first movement succeeds especially very good, the young musicians in Bruckner's lecture title "celebration to follow" with devotion. Again, the precise and expressive brass to impress, the strings of points, especially in the dramatic, sumptuous passages. The quieter Places, especially in the third set, to blur, however, to undefined a little and sound. It is the orchestra and Marc Piollet but to the credit of, the fact that you notice during the concert, only very rarely, that students making music and not (yet) professionals.

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