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The Generalife is a dance of spring, bird, and foun.

Because each choreographer is free to invent, the dance appears effortless.

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The Generalife is a dance of spring, bird, and foun.

Because each choreographer is free to invent, the dance appears effortless. But, music is a constant companion. Sometimes music and dance can be hostile to each other. Some people believe that each movement and gesture is at the service the sound and the story it tells. On Saturday night, this was the case at the Generalife. Thierry Malandain, the Biarritz Ballet, brought three pieces dominated with music from the first half century to the Festival. This was when Fokine and Diaghilev asked Stravinsky, Debussy and Falla for scores. Other music concepts are often used in Festivals. The night's very masculine concept sought to modernize an aesthetic that straddles impressionism and Russian fairy tale. Solo by Mickael conte, El fauno was plagued with obvious stretching and rigid postures. There was a lot of ground use and no less exaggeration of spirits and stillness. The body was almost completely nudified, with its glowing skin clearly visible in the light. To counteract this, Mickael Conte used some objects on stage: some clouds made of wrinkled fabric and a sheet. This is a first for the forest landscape of the fauns.

The Bird flew towards Prince Ivan's garden. He was followed by Calisto, who was following him. The spasm begins to take over those who first wear the Benedictine serge but then switch to the pearl or the sentenced white. Hugo, the bird, in his distinctive blood-red outfit, demonstrated his fine tightrope walking technique without getting too far into circus. Cezanne's dance was copied by the choir. They performed orgies, tribal rituals, and other liturgies. The final, luminous egg made the note more sympathetic to the Frenchified Russian story than it was choreographic. Biarritz's ballet "consecrated spring" is again more accurate than brilliant, leaning more towards theatre than pure dance. The dance continues from the moment the piano eats human larvae to the time she ascends to a sky reddened by fire, and it is nothing but the same. This is a creative idea that adds variations to familiar music without telling a story.

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