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'Two Men Talking About Life' is the only Cazorla production at 100% for the XXII FIT.

Tomorrow, October 12th, at 11:45 p.

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'Two Men Talking About Life' is the only Cazorla production at 100% for the XXII FIT.

Tomorrow, October 12th, at 11:45 p.m. Esteban and Xtobal will present their latest performance, titled 'Two Men Talking About Life'. The performance will take place within the Street cycle at the XXII Cazorla Inter Theater Festival. It has a limited capacity and a 5 euro ticket price. The Teatro de la Merced will host performers and the public to perform a piece of art. This production is the only 100% Cazorla one for the FIT.

The EX binomial, polyhedral artist Xtobal, will present a new creation. It mixes live theatre, music, and physical theatre. The idea for "Two men talking to each other about life" was born out of a chance encounter between a boy and EX's performers at one of EX’s rehearsals. The beginning point of this new performance was this child's reflection about what the work on stage meant to him.

How do we interact if we want to communicate but are unable to? A relationship cannot be defined by sounds or movements.

There are two characters present, but no one knows how they got there. It doesn't matter, it's a timeless encounter. There is no past or present, only the moment and the space of continuous change that allows characters to evolve. It's like a chance encounter between two people in a communication space. This could be, for instance, a bank.

Everything revolves around these characters, their contributions as people, their madness, and their desire to live. They also have antagonistic, but complementary, ways of creating the minimal spaces they use, and how they create an environment that suits their needs. This creates a surrealist stage environment that draws the public into a small fantasy world in which communication is key to their lives. It is an experience that is familiar to all.

Three and seven, as they are known, move in a space of 5x3m. A small square table will be placed to serve as the foundation for the scenographic movement and development. They each have a microphone connected to a distortion pedal that they can share, and a soundtrack they can use from their own space.

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