Moliere is the Moliere is the Moliere and he continues stripping the hypocritical townspeople on the stage like it's 1672. If he warned of false prophets in the classic ”Tartuffe”, is the subject of the false poets in the comedy ”the Learned woman” or ”Learned women,” which is the title of Hilda Hellwigs substantially updated variant.
the Story, which revolves around the dussinpoeten Trissotin who crept into a wealthy family and in order to win the mother Philamintes litteraturälskande heart, is the same. As well as the satire of genius, taste, and inflated high culture. But the time is now. The suit kultursnobbsvart. Vridscenens venue is a rough literary club, where wine and poetry readings are flowing and the young girls ofredas. Calling it, is a watch? Sure, this is the club Forum is the place for comedy, and this häcklas fryntligt both male genikult of our time bildningskotterier. It is of course open goal. The Swedish Academy's dirty linen has long where to public view. But when Hellwig lets portray a number of cultural figures around the Academy on the stage, it becomes more confusing than the sharp.
not Jean-Claude Arnault. It does, however, Stig Larsson (the world of the play Trissotin). Fredrik Evers seems made for the role of the weary, shuffling, likbleke poet. In one moment burkölspassé, in the next energetically and kutryggigt neandertalsdansande. In the center of his fanclub of learned women are the self-righteous Philaminte, portrayed as Ebba Witt-Brattström. Lisa Lindgren makes her a pointed feminist, who harbors an unusual fabläss for compulsive eating baguette while she listens to penispoesi.
Her oppressed husband is on the dot the likes of Horace Engdahl and Ruben Salmander gives skrockande life to his timidity. There is also a dumglad brat with the ponytail and tie, observing the game with a grin – it is perhaps Anders ”Helicopter” Borg? Yes, when theres a party going pants down and höftrullningarna is on the rise. Samtidsreferenserna are several sensational and drowns gratefully the most anachronistic of the parties as to Horace and Ebba argue about who should marry their daughter.
on. Why is produced Witt-Brattström as Larsson's biggest fan? And Engdahl as a poor lamb, after Akademikrisen? But above all: what would have happened if the shape of Arnault, and not the Stig Larsson in a certain övergreppsscen at the club?
the Reality, which it now is, obscuring the view. The ensemble should be congratulated for the enthusiasm and for to alexandrinen flying freely through the air. But the confusion around nutidsreferenserna prevents unfortunately Hellwig from stripping the hypocritical townspeople on the stage like it's 2019.