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Beer Royal in the Second : There shines nothing

drinking wisdom television wisdom, world's wisdom: wine on beer, I advise you. Beer on wine, let that be. The idea sounds appealing at first glance. How to m

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Beer Royal in the Second : There shines nothing

drinking wisdom television wisdom, world's wisdom: wine on beer, I advise you. Beer on wine, let that be. The idea sounds appealing at first glance.

How to make it would be, with today's Top actors like Gisela Schneeberger, Lisa Maria Potthoff, Ulrike Kriener, Robert Palfrader, Marianne sägebrecht, a creative interior crew from Carolin Otto (book) by Christiane Balthasar (Director) and the producer Heike Voßler and Oliver a "big family Comedy" (ZDF-editor-in-chief of TV game II Günther van Endert) Berben? A, the white alone is the word game in the title in order to be close to the "Kir Royal", the TV event of 1985.

On Monday and on Wednesday is seen in the ZDF, the dramaturgical replica on the grounds of the magic castle by Helmut Dietl. But, alas, Kir was beer, and it was, pardon me, Hara-Kiri. The new two-parter is little that can save you from the ease, as in the eighties, the film formation prevailed, of the runaways in irony and distance, of the melancholy about the victory of the money.

The terrific listed two fight the Ur-Kir series between the gossip journalists Baby Schimmerlos (Franz Xaver Kroetz) and the Rhenish money bag Haffenloher (Mario Adorf, "Baby, crushing,' disch as a louse") for the admission into the party heart of the Munich in-crowd – he's done. Left lice the way, publisher (Ruth Maria Kubitschek), including a Show on extinction, beautiful people, behind the mask of the money disappeared. The Money has made the sin nonsense. There's beer enough.

Pay drift the Film

The new beer-Royal-Film must adjust to a Tell, which is driven by Numbers. The interest in the after the death of the Patriarch of the Power in the brewery fighting women, to whose second wife, Gisela (Schneeberger) and his daughter from his first marriage, Vicky (Potthoff), is always real and is not to be understood as in Dietl as wonderfully pointless, fleet-footed theatre.

For a fun game in great detail will be discussed after the succession of new formations in the Supervisory Board of the brewery, the distribution of the possessions, the gastronomic orientation between Tradition (Gisela) and the future (Vicky and her penchant for vegan sausage) and white. Wit and Repartee to amuse rarely of economic discourses.

The Business spreads, its menschel the panels are as recognizable for what they are: in addition to things. Some things have to be, what foamed is still in Ur-Kir. Celebrity duck spoof, for example, in 1985, the first irony of a duty – is not. What Söder and Rummenigge are opposed to Franz Josef Strauss? In the Museum of bajuwari's celebrity Allotria, the book takes well-known white sausage since ancient times, has heard the ringing of a long time ago.

A weird real estate transactions involved mayor (Ute Willing) and bosom friend of the brewer's widow, Gisela tastes like Old Amigo, the necrophiliacs coffin sleeper and wayward brewers son, Patrick (Franz Pätzold) to the Muff of the panoptic. The laid-off home-pearl Pink (Marianne Sägebrecht), it creates, in spite of a Dachshund and a duration of an excited friend (Fred still krauth), to bring the ridicule from the perspective of little people Sparkle.

More ridiculous than to Laugh

More ridiculous than to Laugh is what makes the new Film from the heritage of Baby Schimmerlos. Where the gossip journalist charges of once-proud verbitternd the demise of the free tabloids to the self-deprecating monument, makes you Ulrike Kriener from their journalist role, the "red Renate", a bare-Intrusive in addition to figure.

Not defamatory – what is for many, the value of the journalistic moment, but a loss of differentiation. Especially the protagonists, Lisa Maria Potthoff and Gisela Schneeberger wither, because neither the screenplay nor directed the pseudo-rationality of economic constraints, to break up the assets.

Artistic low point and the furthest distance of an ancient and eternally young masterpiece of television: When the Hermann Goering pulls out of a schemer of Comedy (Robert Palfrader) reveals a huge pair of underpants with the fat Nazi Reich Marshal from his cult showcase.

More about

actor Mario Adorf "With the Italians, it was not easy,"

Ulf Lippitz

"beer Royal", ZDF, Monday and Wednesday, 20: 15,

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